She adheres closely to the traditional plot and, to a story already abrim with symbol and metaphor, she adds even more.
Writing in present tense, using three alternating points of view, Napoli (Jimmy, The Pickpocket of the Palace, 1995, etc.) makes each incident immediate, each character's needs and longings sharply felt. Brutally torn between love and need, the witch imprisons Zel, and watches in anguish as the child's sanity begins to slip away with the seasons. Lovingly nurtured, Zel grows into a joyful, creative child, wholeheartedly devoted to the only mother she knows until she meets Konrad on a rare visit to town. Here again, the "witch" is the tragic figure: A woman unable to bear children but unable to exist without a child sells her soul for an eldritch power over all plants, bullies her terrified neighbors into giving up their newborn daughter, and spirits her away to a remote Swiss farm. A passionate, painful elaboration of the story of Rapunzel, from the author who did the same for Hansel and Gretel in The Magic Circle (1993).
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